Er... That said, yes, here we are, still in tier three in Kent, which is about as exciting as watching emulsion go from a liquid state to a solid state. Thank goodness for music. And beer! So here I am with another batch of albums that I've blasted my way through since my last post, occasionally getting up to join in on the guitar or the keyboard on my way to the fridge. People of the future, this is what 'hedonism' meant in 2020...
Blur - Parklife (1994)
I remember my sister wanting this album on in the car on a family holiday to Lancashire in the nineties and finding it irritating. Like Liam Gallagher, who compared Blur to Chas & Dave (who I actually like), I had dismissed the band prematurely based on an accent. Schoolboy error. This album has far more than the singalong anthems of 'Girls and Boys' and 'Parklife.' There's some punky stuff in the form of 'Bank Holiday,' a Syd Barrett pastiche called 'Far Out,' and the album's highlight in my opinion, 'This Is A Low,' an anthem that the Oasis boys would have surely been proud of.
Blur - The Great Escape (1995)
Critics panned this album and declared Oasis the winners of the Britpop war at the time, but in hindsight this was unfair, especially knowing now that Blur went headlong into avant-garde territory with their next two albums. They were no 'one trick pony.' This one has a similar structure to Parklife with some anthems like 'The Universal,' which sees the band emulating the gang of thugs in 'A Clockwork Orange' in the video, as well as the odd punk blast, and the National Lottery themed anthem 'It Could Be You.' However, in spite of the great melodies and harmonies, there is a darker feel to this album than Parklife, from the jaded guest vocal from Ken Livingstone on 'Ernold Same' to the resigned sadness of 'Best Days.' If your mood needs picking up again at the end, simply replay the openers, 'Stereotypes' and 'Country House.'
Hawkwind - Levitation (1980)
This album is Hawkwind at a junction point, returning to a certain extent to the space rock and psychedelia of their early years. The rock anthems like Motorway City, Levitation and Who's Gonna Win The War are broken up with ethereal instrumental music. The bonus tracks go much deeper into experimental territory, particularly the completely bonkers 'Douglas in the Jungle.' 'Valium 10' is also good fun (not taking it, listening to it, I hasten to add), and the live rendition of Brainstorm gives an oldie of theirs a twist, opening with a jazzy drum solo. (Review refers to disc one of the three-CD set.)
The Beatles - Abbey Road (1969)
It does seem that no matter what new music and genres I discover, the Beatles always get a regular airing. There were perhaps more adept musicians around in the sixties, but there is something legendary about the combination of the four of them with George Martin, the only contender for the epithet 'fifth Beatle' in my opinion, as he literally made the impossible possible. Perhaps it is partly the way four working class lads conquered the world and partly the 'love and peace' ethos, sadly lost in the era of Trumpism and hate masquerading as political views. Visit the Cavern Club in Liverpool and you'll find it still alive. Anyway, Abbey Road, what can I say? Classic follows classic, and there is Paul's symphonic finish which even Elbow couldn't touch with their rendition of Golden Slumbers a little while back. One of my favourites is 'I Want You (She's So Heavy)' which sees the foursome simultaneously dabbling in jazz, lyrical minimalism and heavy rock. I rest my case!
Photo: Myself on the famous zebra crossing in 2011.
The Beatles – A Hard Day's Night (1964)
One from the earlier years of the Beatles. Young and innocent days? Well, not really, and I get the impression that John Lennon in particular hated the manufactured image. Anyway, the music holds up. My favourites are not the big hits but the more introspective songs, particularly 'If I Fell' and 'Things We Said Today.' That said, the rock and roll of 'You Can't Do That' is tremendous, with Ringo pushing the cowbell into overtime. When you think that this was hastily assembled as a soundtrack, you realise that the Beatles could just churn out quality at the drop of a hat! Other favourites of mine from the early years are 'I'll Follow The Sun,' 'Anna (Go To Him),' 'Baby, It's You,' 'Yes It Is' and 'This Boy' which all have a surprisingly melancholic quality for such successful young men.
Oasis – Definitely Maybe (1994)
Often the first album released by an artist has a vibrancy that the other albums don't quite have. Examples in my opinion go from John Lennon's first proper solo album 'Plastic Ono Band' to Travis's 'Good Feeling.' I sometimes put this down to not having the comforts of money and fame, but I've already undone my own argument with the 'John Lennon' example as he'd had a good six years of both by then and appeared thoroughly sick of it! So, Oasis. When this album came out the band literally were an oasis in the desert of dance tracks that filled the charts. Guitars were back in and I let out a 'Hallelujah.' Favourites of mine are the psychedelic blues of 'Shakermaker,' the brooding mantra-like 'Columbia' and the epic 'Slide Away,' announced by its memorable opening guitar note. There's even room for a bit of comedy with 'Digsy's Dinner' and 'Married With Children.' People said they were the new Beatles at the time, although the influence wasn't blatantly obvious until the release of 'Whatever.'
I've also added a new Miles Davis album to my collection recently, a mix of ethereal ambiance and eighties lounge jazz called 'Aura.' However, after only a handful of listens I don't feel qualified to review it yet. I'll be back with another batch soon, and again, and again, and again, until the poxy pubs are open! Please Boris, we're climbing up the walls here. And that's a Radiohead reference to finish. Another time...
STOP PRESS: The musical musings and humour continue in '2021: A Musical Odyssey' - now available in digital and paperback formats.
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